As a consequence of the economic sanctions imposed by some countries to Russia in response to the invasion of Ukraine, on March the 6th the Russian government issued Decree No. 299, authorising the lifting of intellectual property rights. This mechanism allows the expropriation of IP rights, similar to a compulsory licence.
It’s said that imitation is the sincerest form of flattery, and Kirsty Mitchell is certainly feeling that right now. The fine art photographer creates meticulously crafted costumes that have their own part in her fantastical narrative images. Her most spectacular photos come from her Wonderland series, which has introduced a cast of characters throughout the many years that Mitchell has worked on the project.
Berlin-based artist Lee Wagstaff creates abstract paintings with a secret. While at first glance you may be immersed in the myriad of complex patterns that blanket the canvas, take another step back and you'll discover a human face staring back at you. Each of his paintings features a portrait of an AI-generated face concealed within the repeating forms of the design. There is no magic to his process, however. It is simply a matter of subtly altering the pattern in places to convey the facial features of an individual. Typically, this requires Wagstaff to invert the colors or broaden the lines, which in turn creates the illusion of shadow and depth. The darker areas of the design help create the contours of eyes, eyebrows, a nose, lips, and the shape of the face, emerging from the print.
The European Innovation Council (EIC) launched the ninth edition of the EU Prize for Women Innovators. The Prize celebrates the women entrepreneurs behind Europe’s game-changing innovations, to inspire more women to follow their footsteps.
How does AI play a part in the enforcement of IP rights, today.
On 2 March 2022, the “Study on The Impact of Artificial Intelligence on The Infringement and Enforcement of Copyright and Designs” was published by the Observatory. The purpose of this study is to analyse the impact of AI technologies on both the infringement and enforcement of copyright and designs.
So much preparation goes into each iteration of the Olympics that host nations often begin this work more than five years before the actual event. Protecting the Intellectual Property (IP) associated with the games is a critically important yet often unsung part of this planning.
The European Union Prize for Literature (EUPL) recognises emerging fiction writers from the European Union and beyond. Engaging the 41 countries participating in the Creative Europe programme of the European Union, the Prize celebrates 41 outstanding new literary talents across a cycle of three years. Spotlighting the creativity and the immense and diverse wealth of Europe’s contemporary literature in the field of fiction, EUPL aims to promote the circulation of literature within Europe and encourage greater interest in non-national literary works.
Following the attack against Ukraine by the Russian government on Feb. 23, 2022, several Russian and Ukrainian artists are voicing their support for Ukraine and asking for peace, reported OperaWire.
Russian soprano Olga Peretyatko took to social media and posted a picture against war and said, “God, how can I stop this?” Russian Tenor Maxim Mironov also took to his social media and posted a picture stating “Stop War.”
Online since 2016, the Frequently Asked Questions (FAQs) on copyright have been a successful EU initiative from the EUIPO’s Observatory. The FAQs provide answers to 15 of the most common questions European consumers have on copyright in the digital environment.
China’s “zero-COVID” policy put the Beijing Winter Olympics under some of the strictest coronavirus protocols in the world. The Games took place in a “closed-loop” environment comprised of gated “bubble areas” that contained housing, event locations, and transport links.There were also no tickets sold to the general public, while many media professionals worked from home due to COVID concerns. The conditions left Getty Images, the official photo agency for the International Olympic Committee, with reduced support teams on the ground. To tackle the challenges, the team tapped into robotic cameras and remote editing.